Lovers of Books

Lovers of Books

Mar 11, 2000 By Ismar Schorsch | Commentary | Pekudei

In my office hangs a haunting painting (courtesy of the Jewish Museum) by the immigrant artist Moses Soyer. Done in 1934, the painting bears the name “The Lover of Books” and consists of a full length portrait of a smallish, elderly and shabbily dressed man with a large book under his left arm. It could well be a tribute to Soyer’s father who in Russia had been a maskil, a purveyor of Jewish and general culture in Hebrew. The bust on the bookcase in the background suggests a man of broad horizons, though quintessentially Jewish in appearance. The dark shades of the painting and the contrast between the sturdy tome and the fragile figure convey not only a sense of precariousness, but also the power of the book. Love of learning holds the key to the mystery of Jewish survival. What finer emblem could there be to the mission of the Seminary than Soyer’s evocative work!

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A Circle of Obligation

A Circle of Obligation

Mar 3, 2000 By Matthew Berkowitz | Commentary | Vayak-hel

In last week’s parasha, Ki Tissa, we heard of the Israelites’ ultimate act of disloyalty – the creation and worship of a Golden Calf. In contrast, this week’s parasha, Va–Yakhel, paints a portrait of absolute devotion. Only three chapters after the Golden Calf episode, the Israelites are now engaged in one of the greatest acts of worship: building a tabernacle which will house the Presence of God. This week’s loyalty stands in stark contrast to last week’s disloyalty. These two episodes, however, not only puzzle the reader with their disparity but serve to shed light on each other.

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Shabbat: A Temple in Time

Shabbat: A Temple in Time

Feb 26, 2000 By Ismar Schorsch | Commentary | Ki Tissa

If “seeing is believing,” the converse of that adage is surely “out of sight out of mind.” There is something fragile about a faith predicated on sight. Remove its visible attendants and it soon collapses. What did Shakespeare say of another human state? “Love is not love which alters when it alteration finds, or bends with the remover to remove.” Constancy in love or faith soars above the transient.

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Moving Towards Perfection

Moving Towards Perfection

Feb 5, 2000 By Ismar Schorsch | Commentary | Mishpatim

The controversies of one era are not necessarily those of another. When a leader of the Southern Baptists can declare on the Larry King Show that the soul of a Jew is still destined to burn in hell, we are jarringly thrown back to the bigotry of an earlier era bloodied by religious persecution. Progress can be measured by the once bitterly contested issues that no longer get a rise out of us. This is the reason I continue to enjoy looking at the Hertz Humash. Produced in England under the leadership of Chief Rabbi Joseph H. Hertz in the third and fourth decades of the twentieth century, it resonates with the polemics of an era when much of the enlightened world, not to speak of the benighted, still harbored grave doubts about the religious worth of Judaism. Our adversaries often determine the emphasis of our thought.

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Suffering for the Sins of Others

Suffering for the Sins of Others

Jan 29, 2000 By Matthew Berkowitz | Commentary | Yitro

Parashat Yitro is known for the appearance of the Ten Commandments, aseret ha-dibrot, the ten revealed “words” of God. While the majority of demands are straightforward and theologically tenable, a qualification in the third commandment has left generations of Jews wrestling with its implications. God declares, “You shall not make for yourself a sculptured image, or any likeness of what is in the heaven above, or on the earth below… You shall not bow down to them or serve them. For I the Lord your God am an impassioned God, visiting the guilt of the parents upon the children (poked avon avot al banim), upon the third and upon the fourth generations of those who reject Me, but showing kindness to the thousandth generation of those who love Me and keep My commandments” (Exodus 20:4-6). How are we to understand this biblical concept of vicarious punishment? Why should seemingly innocent children and grandchildren suffer for the mistakes of their parents and grandparents? A number of brilliant voices from the tradition shed light on our query.

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Meaning in the Torah’s Layout

Meaning in the Torah’s Layout

Dec 25, 1999 By Ismar Schorsch | Commentary | Vayehi

Everything is susceptible to midrashic interpretation, including the physical appearance of the Torah text. As you know from aliyot to the Torah, the text of the Torah scroll is not divided onto chapters or verses, as it is in our printed edition of the Torah, but rather into units separated from each other by empty space. When the Torah scroll is raised to be bound and the text is turned to the congregation for viewing, these breaks in the written script stand out conspicuously. The ancient text contains neither vowels nor punctuation, only words arranged in passages of different sizes defined by their context and set off by gaps in the writing.

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Joseph’s Three Encounters

Joseph’s Three Encounters

Dec 17, 1999 By Matthew Berkowitz | Commentary | Vayiggash

Parashat Va-Yiggash opens with the dramatic encounter between Joseph and his older brother, Judah. Judah, who years earlier had cooperated with his brothers to betray Joseph, seems to be on the verge of losing his father’s other favored son, Benjamin, as well. Judah makes an impassioned plea to Joseph, offering himself as a hostage in Benjamin’s stead. As it turns out, Judah’s altruism is more than Joseph can withstand. While he was able to hold back and hide his identity numerous times, letting his brothers squirm in discomfort before the strange Egyptian man, this time is different. Joseph reveals his identity. The moment is one of closeness, of reconciliation, and of Joseph’s recognition that it was not his brothers’ deeds but rather God’s plan that had guided the events of his latter years.

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The Heroism of Hanukkah

The Heroism of Hanukkah

Dec 4, 1999 By Ismar Schorsch | Commentary | Vayeshev | Hanukkah

On the surface, the haftarah for the first Shabbat of Hanukkah (most years there is only one) seems like a self-evident choice. Its dominant image is the seven-branched candelabrum which illuminated the Temple sanctuary. Hanukkah is commemorated by the kindling of lights in our homes. The theme of sacred light forms an unforced link between a biblical text and our only post-biblical festival (till our own day).

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